Alexander McQueen redefined fashion as spectacle. From his explosive Central Saint Martins graduate collection in 1992 to his final bow in 2010, McQueen produced some of the most visceral, technically accomplished work in fashion history.
The pieces at Trevise Paris span McQueen's most celebrated collections: the razor-sharp tailoring of Dante (Autumn/Winter 1996), the rain-soaked romanticism of Untitled (Spring/Summer 1998), the asylum drama of VOSS (Spring/Summer 2001), the body-mapping precision of Irere (Autumn/Winter 2003), and the techno-futurism of Scanners (Spring/Summer 2003) and Pantheon ad Lucem (Spring/Summer 2004).
McQueen's work balanced provocation with extraordinary craftsmanship - bias-cut silk dresses, engineered leather corsetry, feathered gowns assembled with couture-level precision. His runway presentations were performances that challenged every convention of the fashion show format.
Each McQueen piece in our archive is authenticated in-house and selected for its historical significance within the McQueen canon. These are not simply vintage garments - they are documents of one of fashion's most important creative voices.
